Аккорды «Sparks»
Sparks — американская группа, ядро которой на протяжении 48 лет существования составляют братья Маэлы — Рон и Расселл. Исполняет экспериментальный поп-рок, время от времени радикально меняя стиль, но всегда оставаясь в авангарде поп-сцены.
Группа образовалась в 1970 году после того, как Halfnelson, куда помимо Рона и Рассела Маэлов входили рок-критик Джон Менделсон, Харли Файнстайн (оба играли на ударных — поочередно), а также братья Джим и Эрл Мэнки (бас и гитара соответственно), изменила название… Читать полностью...
Sparks — американская группа, ядро которой на протяжении 48 лет существования составляют братья Маэлы — Рон и Расселл. Исполняет экспериментальный поп-рок, время от времени радикально меняя стиль, но всегда оставаясь в авангарде поп-сцены.
Группа образовалась в 1970 году после того, как Halfnelson, куда помимо Рона и Рассела Маэлов входили рок-критик Джон Менделсон, Харли Файнстайн (оба играли на ударных — поочередно), а также братья Джим и Эрл Мэнки (бас и гитара соответственно), изменила название на Sparks и переиздала дебютный альбом, записанный Тоддом Рандгреном.
После выхода второго альбома "A Woofer in Tweeter’s Clothing" группа появилась в лондонском клубе "Марки" и на Би-би-си (в программе Боба Харриса). Перебравшись в Лондон, братья Маэлы заключили контракт с новым менеджером Джоном Хьюлеттом (создателем John’s Children, первой группы Марка Болана) и подписались к Island Records. Почти полностью обновив состав (куда вошли бас-гитарист Мартин Гордон, гитарист Эдриан Фишер и барабанщик Динки Даймонд), Sparks записали "Kimono My House" — альбом, который и принес им в 1974 году успех, во многом благодаря синглу "This Town Ain’t Big Enough for Both of Us". Сенсацию произвело появление группы в программе "Top of the Pops": всех поразил сценический образ группы и, в частности, Рона Маэла, внешний вид которого вызывал немедленные ассоциации с Гитлером.
Записанные с продюсером Тони Висконти альбомы "Propaganda" и "Indiscreet" также стали хитами (равно как и синглы: "Looks, Looks, Looks", "Never Turn Your Back On Mother Earth", "Something for the Girl with Everything"). Меньший успех имел "Big Beat" (продюсер — Руперт Холмс), где Маэлы сознательно перешли к "более американскому" звучанию. В 1976 году Sparks попытались заявить о себе в кинематографе, но фильм "Rollercoaster", в котором они снялись, оказался провальным.
В дальнейшем группа успешно экспериментировала с электроникой ("No.1 in Heaven"), поп-эклектикой ("Whomp That Sucker", "Angst in My Pants") и симфонической музыкой ("Lil ' Beethoven"). Скрыть...
Теги:
Популярные аккорды Sparks:
-
Dm* = [5 5 7 7 6 5] Am* = [5 7 7 5 5 5] Em* = [7 7 9 9 8 7] ----------------------------------------------------------------- D A Bm F# When She's on Her Best Behaviour Bm Don't…
-
Dm F No, no use in lecturing them, or in threatening them Am Dm They will just say "who are you" F Is that a question…
-
Am C G Am C G Good morning, who are you? Am C G Am C G I woke up and saw you Am C G Am C G I'm dreaming, still dreaming F…
-
Intro: C Am Dm G/B (repeat) C Am Dm Harry, it's good of you to stay G/B C Hear every word I say Em C And not just duck away A…
-
Something for the girl with ev'rything ... (N.C.) (A) See, the writing's on the wall (A) (Am) You bought the girl a wall (A) (D7) Complete with matching ballpoint pen (B)…
-
Bb What do I hear, what do I hear? Gm Chit-chat, and clinking glass Ab Cheap talk, a lady's laugh F After hours Bb What do I see, what do I see? Gm Some sunken hideaway Ab Where people go to play F After…
-
Intro: C E B |------------------------| --------------------------| G |------------------------| -----------2--------------| D |-----------3------------|…
-
D A D A Bm Lost and found, a wallet from a man, careless man, careless man F# Too bad, too bad, too bad, too bad D A D A…
-
Bb D I married myself, I'm very happy together Gm Eb Cm F# F Long, long walks on the beach, lovely times Bb D I married myself,…
-
Intro: E-----------------------------------------------------------------| H-----------------------------------------------------------------| G--------------------------5-------7------------------------------| D-------2--------5-----5-------7----------------------------------| A-----2--------5----3-------5-------------------------------------| E---0--------3----------------------------------------------------|…
-
C Am I am a suburban homeboy with a suburban ho right by my side Dm C G I am a suburban homeboy and I say you dog to my pool cleaning guy Dm…
-
Intro: G A D D G D Slowboat takes me to your home everyday G D And I wait for you knowing that you won't come home, just today A D For you've found…
-
A Rockin' Girls just seventeen, the cutest thing I've ever seen D E C#m C'mon baby, rock with me tonite Bm F#m You're the only girl I ever met named…
-
Intro: C G C G I'm going back to see my girl I hope it's all the same as then I'm going back to see my girl I hope it's all the same as then C G Confusion, pardon the intrusion…
-
Intro: B C# B C# F# What's good enough for Adam is good enough for me B I'm awfully glad we got 'em /Ab A They're easy to see (as long as they're) F# B F# White women everywhere…
-
D In the city, in the country, in the towns throughout the world All will join in, in the big scene, so won't you please take off your shoes? F F9 C It's a ballet, simple ballet, so…
-
Tuning:Standard INTRO ****** e|-------------|-------------|-------------|--------------------| B|-------10-11-|-------10-11-|-------10-11-|--------------------| G|-10-12-------|-10-12-------|-10-12-------|-10-12--10-12-10-12-| D|-------------|-------------|-------------|--------------------| A|-------------|-------------|-------------|--------------------| E|-------------|-------------|-------------|--------------------| ---------------------------------------------------- VERSE…
-
F Oh, say can you see, by the dawn's early light, What so proudly we hailed at the twilight's last gleaming? Whose broad stripes and bright stars, through the perilous fight, O'er the ramparts we watched, were so gallantly…
-
A D A When I spot a driver worth a second glance C#m Foot to floorboard, impact soon achieved Bm Bm7 A Here comes Bob, I ain't subtle in…
-
E B She was a wonder girl (some girl, that girl) She was a wonder girl (some girl, that girl) E It was a grand old time we had A B E She…
-
Eb Bb Ab This is the number one song in heaven Eb Bb Ab Written, of course, by the mightiest hand Bb7…
-
B Someday we'll have one extra coastline F# B /E /F# We'll tire of the Atlantic B By then we'll be rid of your lot A B A shot heard 'round the world…
-
C The rain just falls off of me The tears just fall off of me Dm C Cause I'm waterproof, I'm waterproof G The barometric pressure has no relevance to me The rain just falls off of…
-
Intro: C Bb G C (2X) Cm Bb G Cm All that would presuppose a power bigger than us baby, Ab G Cm baby, baby, start looking at me! F…
-
E A D A D A E A D A D A I want you, I want you bad E A D A D A E A D A D A I need you, I need you D E I do, I really do D E D…
-
Intro: C F C F C F C A lady gets a lotta things G C She gets a 20 carat ring F C She gets the alimony too G C She…
-
E Why is there time? Dbm Why is there space? E G# A Am Why are there dogs and cats and trees and the human race? G# D#…
-
E (with E7) Dressing up when the world is Levi Strauss Dressing down when tuxedos fill the house Going out when the rest are coming home Coming home when the rest are going out A G And…
-
E Hey everybody, what do you say, someone's stolen our spotlight, Ray C E Hey everybody, what do you say, what are all these bands so angry about? Hey everybody,…
-
F C F When I'm with you I never have a problem C F when I'm with you I'm really well-adjusted D7 When I'm with you, with you, with you When I'm with you When I'm…
-
A Drop the goody-goody look and put on your shoes F Because I'm gonna recommend a little somethin' for you (Oh yeah) A Grab your little Lulu or your Sally or Sue…
-
D F# Bm Who knows what the wind's gonna bring when the invalids sing D F# Bm D La La's with a powerful sting that'd stop any opera or…
-
E E/G# Every word pronounced distinctly, slowly E E/G# There are no contractions, nothing slurred A A/C# Unprepared you watch in rank amazement…
-
Intro: D A G A (repeat) D A G A You fell for me, I fell for you D A G A You think I'm great, I think you're good D A G…
-
D Thrill rides and places, wide-open spaces Played in a band, such harmless novelties Bm A Where's the forgetting, where's the regretting Bm A Of lurid acts that never came to…
-
Simple, but fun song. I'm pretty sure all the chords are played as power chords on the album version, but this is how I play it acoustically, with the electric guitar solo as a bonus. Pretty simple, use the basic chord…
-
G F C G F C I was born a little premature, Mom just couldn't take no more G F G F Had no time to learn to cry,…
-
G D G How I wished my folks were gracious hosts and not dismayed D Em But wit and wisdom take a backseat when you're that afraid D G Oh no, bring her…
-
G C I've got a snapshot of your Aunt Maureen G C She's ninety and you're a teen F C I'm trying to cheer you up G C G C Don't…
-
Fm C Not every cigarette is a dead, dead thing Fm Some have a mind and try to be other things C Pushed in the pack, they crave some Virginia air Fm Softly, they pray…
-
A G A G A I've just come back from England with astounding, scientific sort of news A G A G A There exist in England living creatures…
-
Am D Just when sin is quite the thing, there's one Am who holds quite tight to what had worked before What's his outlet, what's his secret, D Am is it something one…
-
Cm G Neither has a predilection, neither has an afterthought Bb Eb Eb7 and neither chair gets warm at all and neither takes their jacket off Gdi…
-
C The mountains may crumble F And cover the road to you Dm F But I'll fight to break on through C With all my might C The ocean may rise up F And wash you away from…
-
Bb Dm The rain is falling down I feel like a dog that's been kicked out into the C# G street I know that dogs can't drive cars but that's about the only difference…
-
G D Happy hunting ground, happy hunting ground G D They don't talk or act like you do G C Happy hunting ground, happy hunting ground…
-
Intro: E E7 E G E G E I heard somewhere that they're stamping, trampling all upon you E G E G E Your pocked face remains impassive though I know it hurts you Chorus: C B Em F…
-
Chorus: Am D Am D Cause I'm likeable, they all say Am D Am D Wouldn't have it any other way Am D Am D And there's no other…
-
D D7 Tropical air helps us harvest all year G Bb And serves to promote the vitamin C content A D In turn yielding greater demand A G A…
-
C In 1900 you held hands and felt like you'd scored F In 1910 you'd never need a horse anymore Dm In 1920 you could dance C In 1930 lose your pants G C In 1940 you could go to war really…
-
Am G How do I get to Carnegie Hall? Practice, man, practice Am Dm How do I get to Carnegie Hall? Practice, man, practice Am G To get…
-
G D I've done my best to forget you, dumped your perfume down my drain F C My telephone is always in use, day and night Cm G…
-
D Em No use in our pretending we don't know what we know A We know a lot of things D Em I know each muscle on your back and every toe G C But you've held out on me, I can tell from…
-
C F You've got to trust in summer, miracles G C can happen if you do F 'Cause all that heat speeds change in everything, G C maybe…
-
C There's no way that I could ever explain F I got to hold you in my arms, dear or else go insane G And what I'm feelin' in my heart, feelin' in my soul Dm It makes me just a little dizzy…
-
E D She won't go out with me, no, she won't go out A E Cause my intellect's paper thin D She won't go out with me, no, she won't go out…
-
Chorus: B Get in the swing, pal E A C Get in the swing with everybody and everything (repeat) B D My friends are here B D B D B…
-
C (w\ C6) She won't marry you, she don't look good in white Don't try sweet talk unless you're hot for a fight F C Still there's…
-
D I hope it doesn't show, it'll go 'way It's just a passing phase, it'll go 'way You can dress nautical, learn to tie knots Take lots of Dramamine out on your yacht G Bm But…
-
Intro: A How are you getting home F#m It's on my way, so let me take you home, D A Home home sweet home Chorus: E7 How're you getting home…
-
F Bb G D Squeeze in between the lines F Bb G D Hustle it's nearly five, F Bb D Dsus4 D Hustle it's nearly five D…
-
Intro: A Asus2 A Asus2 D (2X) D A Just like everything else in this world D A Time wreaks havoc on every girl What do you do, what do you do, A7 what do you…
-
D Am For the sake of man he has forsaken his whole tan Em Living in the snow advancing how much we will know D A But his heart cries out E A E A E D Barbecutie,…
-
A (Don't let it get me, don't let it get me, etc.) A E Well, it's Saturday night and I'm still free F#m D A E A And I ain't never gonna be. Eaten…
-
Dm C Dm I want you and only you and only you and only you, my love C Dm I need you and only you and only you and only you, my love A G I can't believe that you would fall for all the crap in this song…