Аккорды «Bert Jansch»
Этого артиста, оказавшего влияние на Джимми Пэйджа, Нила Янга, Ноэля Галлахера и многих других, зачастую называют шотландским Бобом Диланом, хотя такое сравнение является некорректным. Ведь если творчество Дилана строилось на текстовой основе, то для Дженша первичной всегда была музыка. Герберт Дженш родился 3 ноября 1943 года в Глазго, но свои юные годы провел в Эдинбурге. В подростковом возрасте Берт обзавелся гитарой и начал похаживать в местный фолк-клуб. Там он познакомился с Арчи Фишером и…
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Этого артиста, оказавшего влияние на Джимми Пэйджа, Нила Янга, Ноэля Галлахера и многих других, зачастую называют шотландским Бобом Диланом, хотя такое сравнение является некорректным. Ведь если творчество Дилана строилось на текстовой основе, то для Дженша первичной всегда была музыка. Герберт Дженш родился 3 ноября 1943 года в Глазго, но свои юные годы провел в Эдинбурге. В подростковом возрасте Берт обзавелся гитарой и начал похаживать в местный фолк-клуб. Там он познакомился с Арчи Фишером и Джилл Дойл, которые ввели парня в мир музыки Пита Сигера, Брауни МакЖи и Вуди Гатри.
Вскоре Берт сам начал сочинять песни и выступать с ними в различных фолк-клубах. Помотавшись по Англии два года, Дженш отправился путешествовать в Европу, где зарабатывал на жизнь уличными концертами и случайными выступлениями в кафе и барах. В середине 60-х музыкант перебрался в Лондон, где фолк-движение было на подъеме.
К тому времени Берт выработал свой уникальный стиль, собравший воедино фолковые, блюзовые и джазовые элементы, и поэтому артиста охотно принимали такие клубы как "Marquee", "100 Club" и "Les Cousins". Как-то раз Дженш познакомился со звукоинженером и продюсером Биллом Лидером, и тот записал его музыку прямо на домашний бобинный магнитофон. Пленка была продана за 100 фунтов небольшому фолк-лейблу "Transatlantic Records", который на ее основе весной 1965 года выпустил альбом "Bert Jansch". Благодаря отличным композициям и особенно инновационной технике игры Берта пластинка произвела сенсацию и стала образцом для подражания легионам других гитаристов.
За "Bert Jansch" последовали еще два альбома, "It Don't Bother Me" и знаменитый "Jack Orion" на которых Дженш продолжил осваивать новый подход к исполнению традиционных фолк-баллад. Одну из композиций с "Jack Orion" ("Blackwaterside") впоследствии позаимствовали "Led Zeppelin", переделав ее название на "Black Mountain Side".
В записи обоих вышеупомянутых альбомов участвовал гитарист Джон Ренбоурн, с которым в 1966 году Берт выпустил совместную пластинку "Bert and John". Немного погодя с помощью Ренбоурна Дженш организовал группу "Pentagle", в которую также вошли Джеки МакШи, Терри Кокс и Дэнни Томпсон. Несмотря на коммерческий успех команды и ее доминирующее значение для самого музыканта, Берт успевал параллельно выпускать и сольники. Так, например альбом "Rosemary Lane", сделанный в тот период поклонники Дженша считают одной из лучших его работ. После распада "Pentagle" музыкант сосредоточился на сольной карьере и выпускал диски относительно регулярно. Из позднего творчества музыканта можно выделить такие наиболее удачные работы как "A Rare Conundrum" и чисто инструментальный диск "Avocet".
В конце 70-х Берт обзавелся собственным магазином по продаже гитар, а в 80-х принимал участие в реюнионах "Pentagle". В начале нового тысячелетия концертная активность артиста несколько снизилась, однако это лишь подогревало интерес к творчеству Дженша и компенсировалось переизданием его бэк-каталога на CD. Свое 60-летний юбилей Берт отметил аншлаговым выступлением в лондонском "Queen Elizabeth Hall".
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Standard Tuning 3/4 Time The song is made up of these seperate movements. You should be able to work out how they slot together without too much difficulty. 1 I----------0-------------I----------3-----2p0----I----------0------------I----------3-----2p0-I I----------1-------------I----------3------------I----------1------------I----------3---------I I------2-------2-----2---I--------0---0----------I------2-------2-----2--I--------0---0-------I I-----------------2------I----3/5---------4------I-----------------2-----I----3/5---------4---I I--0---------------------I-----------------------I--0--------------------I--------------------I I------------------------I-----------------------I-----------------------I--------------------I 2 I---------0--------------I-----------0------------I-----------3------------I I---------1--------------I-----------0------------I-----------0------------I I-----2------2-------0---I-------0------0----0----I-------0-------0----0---I I----------------3/5-----I----2------------0------I------------------0-----I I--0---------------------I------------------------I------------------------I I------------------------I------------------------I---3--------------------I 3 I---------0------------I--------3-----2p0----I----------0------------I---------3----------I I---------1------------I--------3------------I----------1------------I---------0----------I I-----2-------2-----2--I------0---0----------I------2-------2-----2--I-----0-------0----0-I I----------------2-----I--3/5---------4------I-----------------2-----I----------------0---I I-0--------------------I---------------------I--0--------------------I--------------------I I----------------------I---------------------I-----------------------I--3-----------------I I---------2-----------I-------0--------------I---------0-------------I--------3-------------I I---------3-----------I-------1--------------I---------0-------------I--------0-------------I I-----4------4-----4--I----2-----2------0----I------0-----0------0---I-----0-----0----------I I---------------4-----I-------------3/5------I---2------------0------I----------------------I I-2-------------------I-0--------------------I-----------------------I-------------0h1p0h2p-I I---------------------I----------------------I-----------------------I--3-------------------I…
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Drop D Tuning DADGBE To play this you need to do a steady base alternating between the two open D strings with your thumb and pick the melody out with your fingers. At least thats the standard way to play it. Intro I--------------------------I-0h1p0h1p0h1-------------I I-1h3p1h3p1h3--------3-----I-------------------3-----I I-------------2------------I-------------2-----------IPlay…
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Standard Tuning Capo 3rd fret I------------------------I------------------------I------------------------I------------------------I I--------------0---------I--0----------0----------I--------------1---------I------------1-----------I I----------0-------0-----I-----0-----------0------I------0------------0----I------0-----------0-----I I-------5-------------5--I--------5----------5/3--I----------3-----------3-I---------3------------3-I I------------------------I------------------------I------------------------I------------------------I I-2/3----------3---------I--3------------3--------I--3--------------3------I--3------------3--------I I------------------------I------------------------I------------------------I------------------------I I--------------0---------I--0----------0----------I--------------1---------I------------1-----------I I----------0-------0-----I-----0-----------0------I------0------------0----I------0-----------0-----I I-------5-------------5--I--------5----------5/3--I----------3-----------3-I---------3------------3-I I------------------------I------------------------I------------------------I------------------------I I-2/3----------3---------I--3------------3--------I--3--------------3------I--3------------3--------I I------------------------I-1----------------------I------------------------I------------------------I I------------0----3------I-----------------0------I--------------0---------I------------1-----------I I-----0----------------0-I---------0--------------I------0-------------0---I-----0-------------0----I I---------5----------0---I------3-------------3---I----------------------0-I---------3------------3-I I------------------------I------------------------I-----------------2------I------------------------I I-2/3-----------3--------I-3-----------3----------I--3-------3-------------I--3-------------3-------I I------------------------I------------------------I--1---------------------I------------------------I I------------1-----------I------------0-----3-----I-----------------0------I-----------0------------I I-----0-------------0----I------0---------------0-I-----------0------------I-----0------------0-----I I--------3-------------3-I---------5----------0---I--------3------------3--I---------------------0--I I------------------------I------------------------I------------------------I--------------2---------I I-3-------------3--------I-2/3------------3-------I--3-----------3---------I--3-----3---------------I I------------------------I------------------------I------------------------I------------------------I I------------1-----------I-----------1------------I------------0-----------I------------0-----------I I-----0-------------0----I-----0-----------0------I-----0------------0-----I-----0------------0-----I I---------3------------3-I--------3-----------3---I---------5-----------5--I---------5----------5/3-I I------------------------I------------------------I------------------------I------------------------I I--3------------3--------I--3-----------3---------I-2/3-----------3--------I--3------------3--------I I------------------------I-----------1------------I------------------------I------------------------I I-----------1------------I------------------3-----I------------3-----------I-----------3------------I I-----0-----------0------I-----0------------------I------0-----------0-----I-----0------------0-----I I--------3-----------3---I--------5------------0--I---------3-----------3--I--------3------------3--I I------------------------I------------------------I------------------------I------------------------I I--3-----------3---------I--3-----------3---------I--3------------3--------I--3------------3--------I I------------------------I------------------------I------------------------I------------------------I I------------0-----------I------------0-----------I-----------1------------I-----------1------------I I------0-----------0-----I------0-----------0-----I-----0----------0-------I-----0-----------0------I I---------5-----------5--I---------5----------5/3-I--------3----------3----I--------3-----------3---I I------------------------I------------------------I------------------------I------------------------I I-2/3-----------3--------I--3------------3--------I--3----------3----------I--3----------3----------I I------------------------I------------------------I------------------------I------------------------I I-------------0----------I-----------0------------I-----------1------------I-----------1------------I I------0-----------0-----I----0------------0------I-----0-----------0------I-----0-----------0------I I---------5-----------5--I--------5----------5/3--I--------3-----------3---I--------3-----------3---I I------------------------I------------------------I------------------------I------------------------I I-2/3------------3-------I--3-----------3---------I--3-----------3---------I--3-----------3---------I This…
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Tuning: EADGBE Capo: 1st fret This is a nice little number and reasonably easy to play; there are various fingering possibilities you could use as an alternative to some of these, for example the D minor and A minor riffs…
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Tuning: EADGBE This tune is played out (and I've tabbed it) in alternate bars of 4 then 3, but you could choose to think of it as 7 beats. The rhythm is a dotted 8th swing feel (listen the the record). Watch out for triplet…
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For this tab I have included timings along the top- so if a note apears under the 2, for example, then that note is played on the second beat of that bar. Along the bottom I have included some fingering for the right hand: p=thumb i=index m=middle The…
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Tuning: EADGBE This is a fine example of Berts recent offerings and features electric guitar, percussion and harmonica. But it's also great with just guitar and vocals. Here I've tabbed the verse, chorus, instrumental and…
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Tuning: DADGBE (dropped D, tuned down slightly on recording) This amazingly beautiful song proves that Bert is as good as he ever was; I've tabbed the whole tune note for note (as best I could) because he does show much…
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Tuning: DADGBE (dropped D) Capo: 5th Fret Amazing tune but a real pain to transcribe! There are bars of 2,3,4,5 and 6; the asterisks let you know how many beats. You will have to work closely with the record to capture…
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Tuning: DADGAD (detuned a semitone on recording) This tune is really simple to play but notice the bar of 6/4 before the verse kicks in. As usual there are a number of furher possibilities for fingering; I'm pretty sure…
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Tuning: DADGAD Capo: 3rd fret This is a really beautiful tune on what I think is one of Berts best albums. It's pretty straightforward, in DADGAD tuning but listen to the recording for the timing - there are a couple of…
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Tuning: DADGAD Capo: 2nd fret This is probably one of Berts finest guitar arrangements and has eluded me for some time. He really sounds like he's playing a 12 string but he's not - it's just his genius use of octaves,…
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Tuning: EADGBE A really powerful tune when sung, this one. It's pretty straightforward and in 4/4 but watch out for the occasional bar of 2/4. The asterisks are a guide. As usual work with the recording to capture some…
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Tuning: EADGBE Capo: 3rd Fret This is pretty straightforward to play though watch for the timing; there are bars of 2/4, 3/4 and 4/4. The asterisks are a guide to the beats. Notice the repeats on the intro and the first…
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Tuning: EADGBE Capo: 2nd fret Berts take on She Moved Through The Fair - really haunting. Really great sounding guitar. This is quite easy to play - I've only tabbed out the intro before he starts singing as the rest of…
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Tuning: DADGBE (drop D) Capo: 4th Fret This is from Berts self-titled first album of 1965. It features his classic trademark picking pattern and is an ideal tune for beginner pickers to learn as well as being a great…
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Tuning: EADGBE Capo: 3rd Fret This pretty little song is a doddle to play. I've tabbed out the intro - which is the same as the verse - the second section and the ending. You will find very slight variations from verse…
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Tuning: EADGBE Capo: 3rd fret Pretty straightforward alternating bass piece this one; I've tabbed the intro and the first verse but there is slight variation between verses. Twang those notes as hard as you can!…
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Tuning: DADGAD Capo: 1st fret Berts take on the classic murder ballad is full of energy and utilizes the classic alternating bass pattern. Like Jack Orion, the guitar part is hard to catch in places as the vocals and Renbourns…
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Tuning: DADGAD Capo: 5th fret Another classic Bert tune! It's quite simple to play and the alternate bars of 4/4 then 5/4 come quite naturally. I'm pretty sure it's in DADGAD though I've seen it tabbed differently in drop…
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Intro, verse 1 accompaniment and break as appears on Rosemary Lane, Reprise 6455, 1971 Tuning D-modal (DADGAd), capo 5 to play with record. Intro: 1 2 3 D-0---0---------|-----0-----------|-----0---------| A-5---5---------|-----5-----------|-----5---------| G-2-----2-------|---2---2-0h2p0---|---2---2-------| D-0-----------0-|-0-------------3-|-0-----------0-| A---------0h3---|-----------------|---------0h3---| D---------------|-----------------|---------------|…
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Tuning: DADGAD Capo: 3rd fret This is probably going to be a whole lot easier to for you to play than it was to tab out; the rhythm in places is extremely tricky to get to grips with in transcription. The lengths of bars…
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Standard Tuning Capo 3rd Fret 1|-------------------------|--------------------------|--------------------------|--------------------------| 2|--------0H1--0-----------|--0H1---0-----------------|--------0H1---0-----------|--0H1---0-----------------| 3|-----2-----2----------2--|-----2-----------------0H-|--2--2-----2--------------|-----2------------------0H| 4|-------------------------|-----------------2--------|-----------------------2--|-----------------2--------| 5|--0-----0----------------|--------------------------|--0-----0-----------------|--------------------------| 6|-------------3-----3-----|--1-----1-----0-----0-----|--------------3-----3-----|--1-----1-----0-----0-----|…
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Tuning: DADGBE Capo: 4th Fret From Berts 1st album, this is a pretty straightforward alternating bass picking pattern but sounds great. Here I've tabbed the intro and the verse; Bert gives it some slight variation in…
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Tuning: DADGBE (dropped D) I've tabbed the live version of this as I don't have any other version. I don't even know which of his albums it's on! It's a really great tune though and simple to play. Although this tab looks…
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Tuning: EADGBE Capo: 1st fret I tabbed this from the Live at the 12 Bar album but it's basically the same on Downunder except that version has bass. This is straightforward to play. Bert shows slight variation from verse…
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Tuning: DADGAD (detuned a semitone on recording) This is one of Berts best songs, an absolute gem; Bert at his finest. Play it gently. Watch out for the rhythm and timing, the bars are of differing lengths and particularly…
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Tuning: EADGBE Capo: 3rd fret Rhythm: 2/4 Intro: E||----------------|-----------------|-----------------|-----------------| B||-----------1----|--1-----1---3/5--|--5-----5--------|--3p1---0---1----| G||-------2--------|----2------------|----2-------x----|-----------------| D||-----2-------2--|------2-------0--|------2----------|------0-------0--| A||--0------0------|--0-------0------|--3-------3---0--|-----------------| E||----------------|-----------------|-----------------|--3-------3------|…
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Tuning: EADGBE I think this is one of Berts easiest tunes to play technically, and is very nice on the ears. Here I've tabbed out the intro, a typical verse and the chorus but there is much minor variation throughout…
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Tuning: EADGBE A really nice little ditty this one and easy to play, too. There are actually many ways to finger this, I tabbed it as it sounds played to me on the recording. But experiment with the fingers and frets…
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Tuning: DADGBE Capo: 2nd fret This really nice song was originally released on When The Circus Comes To Town which I haven't got yet so here's the live version. It's pretty easy to play; watch for the bar of 4 on the instrumental.…
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Tuning: EADGBE Capo: 3rd Fret This is another really easy one to play and great for beginner Bert fans. Here I've tabbed the intro and a typical verse but he shows slight variation between verses so check the recording.…
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Standard Tuning Capo 4th fret I---------0--------0--------I------------------------I------------------------I I---2-----------3--------1--I-----------1-------0----I------2--------2---2----I I------------1--------------I----2----2------2-----2-I------2--------2---2----I I--------------------0------I-------0-----------0----I------2--------2---2----I I---3b4---0-----2-----------I------------------------I---0-----0--------------I I-0-------------------------I-2------------2---------I------------0--------0--I I---------0--------0--------I------------------------I------------------------I I---2-----------3--------1--I-----------1-------0----I------2--------2---2-2--I I------------1--------------I----2----2------2-----2-I------2--------2---2----I I--------------------0------I-------0-----------0----I------2--------2---2----I I---3b4---0-----2-----------I------------------------I---0-----0--------------I I---------------------------I-2------------2---------I------------0-----------I I-----5-----------0-----2I--------------2h3p2p0----I--------0--------0--------I I--7--------8------------I-----3-------------------I--2-----------3-------2---I I------------------------I-----------2-------------I-----------1----------2---I I------------------------I----------------------0--I--------------------0-----I I--0-----0-----0-----0---I--0-----0-----0----------I--3b4---0-----2-----------I I------------------------I------------------------0I--------------------------I I------------------------I-------------------------I------------------------I I------------------------I-----------2-----2-------I-----------5-----5------I I-----2-p0--2-----2-----2I-----------4-----4-------I-----------3-----3------I I-----2-----------2------I-----3-------------------I-----4----------------0hI I--0-----0-----0-----0---I--4-----0-----0-----4----I--4-----0-----0-----4---I I------------------------I-----------------------0-I------------------------I I--------0--------0---------I---------------------------I I-----------3b4-------------I---------------------------I I--------------------0h1p0--I--0h1p0--0h1p0---0h1p0-----I I--2--2--------------------2I---------------------------I I---------------------------I-------2-------2-------2---I I--0-----0-----0-----0------I--0------0-------0-------0-I I---------------------------I---------------------------I This…
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Tuning: EADGBE Short and sweet this one, but beautifully haunting and full of atmosphere. It's also really easy to play and makes for a great right hand picking exercise! There are are number of ways you can pick it;…
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Tuning: EADGBE This tune is one of Berts nicest arrangements, to compliment some of the most beautiful lyrics ever written, by Dave Goulder. The recording has some really nice harp on it, but it sounds fantastic with…
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Tuning: EADGBE This tune is played with a dotted 8th feel. As usual, Bert displays a little variation here and there so listen to the recording if you want to get it down note for note. I have divided the tab into 2 sections;…
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(This song was originally done by Jackson C Frank) Standard Tuning Capo 4th fret Main Riff I-----------------------I----------------------I-----------------------I----------------------I I---------------------0-I-1-------0------------I---------------------0-I-1-------0------------I I--------2------2-------I--------------2-----2-I--------2------2-------I--------------2-----2-I I-----2-------------2---I-----2-----------2----I-----2-------------2---I-----2-----------2----I I-0---------------------I----------------------I-0---------------------I----------------------I I------------3----------I-1-------3------------I------------3----------I-1-------3------------I Chorus I-----------------------I--0--------------------I------------------------I--0-----------------I I-1--------------1------I----------1------------I--0------0---0----------I--0-----------------I I--------2--------------I-----------------2-----I---------0---0----------I--0-----------------I I-----2-------------2---I------2--------------2-I------0--0---0--0-------I--2-----------------I I-0----------0----------I--0----------0---------I------------------------I--2-----------------I I-----------------------I-----------------------I--3---------------------I--0-----------------I…
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Tuning: EADGBE Another fine example of Berts talent for writing really catchy instrumentals; this one is short and sweet but full of life. It's pretty straightforward to play but be careful which fingers you use, he moves…
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Tuning: EADGBE This is really simple to play and a really nice tune. It's in 4/4 but watch out for a bar of 2/4. The asterisks represent the beats. The instrumental break after the 1st verse is just the guitar part again,…
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Tuning: DADGBE (dropped D) This is another fantastic song, backed up with an amazing guitar part. The vocals and guitar really compliment each other on this track. It's fairly easy to play, but as always listen to the recording…
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Tuning: EADGBE (standard) Capo: 3rd Fret This is a simple tune to play and really nice. Great for beginner Bert fans! Basically I've just tabbed out the introduction, as he plays exactly the same thing during the verses…
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Tuning: EADGBE Capo: 1st Fret This is one of Berts best love songs I think. It's a beautiful melody. The guitar part is pretty east to play but there are a couple of points to watch out for. Firstly, the last note of the…
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Tuning: EADGBE OK this must qualify officialy as Berts easiest song to play; all you need are these 4 bars to repeat through the whole tune. And yet it's still a great song! Great practice for beginner pickers..... Use…
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Tuning: DADGAD Capo: 3rd fret An absolute classic tune and a great story. It was pretty hard to tab this because the guitar is quite hard to hear and then you've got Renbourn playing lead over the top to make it even…